Each oscillator has its own volume envelope. Each envelope stage has separate slope/curve settings. ADSFR type and 5-stage envelope type with loop function. Saturation knob precedes each filter to add overdrive to the sound before it enters the filter.Filters are stereo with panning and panning modulation options. 3 multimode filters (Silk, Cream and Scream), each with a different basic design thus producing different sounding filters. Filter modules include Silk-type, Cream-type, Scream-type and Comb-type. Oscillator Sync in Analog Oscillator 2 and 4.

Oscillator modules include Analog-type, Digital-type, Noise-type and Audio Input-type.

Unlimited sound programs, Sound Browser.

Sound Presets consist of 4 separate Layers for rich, complex sound synthesis.

Let’s generate a five-digit code, copy and paste this code into the VSTi tool, click activate. We launch RPX8_KeyGen on behalf of the admin and enter the ID with the handles. Launch Blue3, copy the ID, no need to copy the serial number. There are no display issues with the VST version. Perhaps your VST3 version will not be displayed correctly. The BLUE-III is a phenomenally powerful virtual instrument that is an amazing journey into “cross fusion synthesis”! The sound engine has taken its DNA from our BIT virtual analog synthesizer, resulting in unparalleled sound quality.įinally, of course, this amazing instrument comes with over 5000 presets created by Rob himself and famous sound designers. The BLUE-III GUI has been redesigned, including many different sizes, and the XY panel is now always on the front. Firstly, the addition of our own take on “Karplus Strong String Model Synthesis”, new “Waveforms”, new “Filter Types”, a new set of creative “Built-in Samples”, and finally the ability for you, the user, to upload up to 6 samples within each preset. The BLUE-III concept continues to hold true to that ideal with even more additional sonic dimensions and features in the expanded name. With its successor BLUE-II, the “Cross-fusion synthesis” has also been expanded with a creative sample pack and a very versatile XY pad. Rob Papen himself called it “cross-fusion synthesis” because it encompassed both subtractive and FM synthesis in one creative concept.

When it was first released in 2005, “BLUE” already reflected Rob Papen’s cutting edge, creative and most importantly musical approach to virtual synthesizer development.

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